Pitch Perfect Appointment, 15 Years in the Making

Chee started performing with WASO in 2011 as a contract Cor Anglais player before becoming Associate Principal Oboe (2014) and Acting Principal Oboe (2016). Chee has performed as soloist with WASO on multiple occasions, including the Albinoni Oboe Concerto, Haydn’s Sinfonia concertante, and Bach’s Concerto in C minor for oboe and violin.

On her appointment as Principal Oboe, Chee credits the collaborative culture of the Orchestra for influencing her development as a musician. “I have considered it a great privilege to be able to learn and improve my skills whilst on the job and I have my colleagues to thank for that. I have learnt so much from those musicians surrounding me, as well as from the instruction and guidance from conductors – especially our Principal Conductor, Asher Fisch.”

The Principal Oboe is a key leader in a symphony orchestra, responsible for setting the tone, style, and phrasing for the oboe section, while also playing many expressive solo passages. They perform the crucial role of giving the tuning note before rehearsals and concerts, ensuring the entire orchestra is in tune, and collaborate closely with the conductor and concertmaster to shape the overall musical interpretation. In addition to their musical leadership, they rely on the specialised skill of crafting and adjusting their own reeds, making the role a unique blend of artistry, precision, and technical expertise.

Chee’s pre-concert-ritual focuses not only on taking care of herself but also on ensuring her instrument is in the best condition possible to deliver a world-class performance.

“I warm up my oboe reed (I soak it and crow it a few times) and also make sure my oboe is warm. I play through a few solos that I’m nervous about. The warm-up doesn't really last longer than 10 minutes.” Then it’s off to the venue, for further checks. “An oboist will always get to the [venue] at least 45 minutes before the concert so there is plenty of time to eat and check reeds on stage.”

Chee is known for more than her musical prowess – her sense of humour, creative flair, and love for her dog (Jess Chee) have brought a smile to the faces of her colleagues, audience members, and supporters.

Speaking candidly about the appointment, Chee said “I have felt very supported by my friends and colleagues in the Orchestra, as well as from Asher, Paul Shannon, audience members, board members, and sponsors. I consider it a great honour and blessing to take on this new role as Principal Oboe. I hope the future is full of good and moving music-making with my friends in a fun and enjoyable environment.”

CEO Paul Shannon reflected on Chee’s tenure with WASO as she commences this new role: “For the past 15 years, Liz has been an integral part of WASO’s artistic life, contributing at the highest level as performer, colleague, and musical leader. Liz is an exceptional musician who has shown a deep commitment to WASO and our vision of enriching lives through music. We look forward to the continued impact she will have on both the Orchestra and our audiences in this new role.”

Chee next appears with WASO in Beethoven's Eroica in April.

Liz Chee’s Chair is supported by Ruth E. Thorn and Michael & Helen Tuite through the Duet program.