“West Australian Symphony Orchestra respectfully acknowledges the Traditional Custodians and Elders of Country throughout Western Australia, and the Whadjuk Noongar people on whose lands we work and share music.”
Using Your Digital Concert Guide
You may use this digital program in the Auditorium. Please use it respectfully and allow your fellow concert-goers to enjoy their concert experience by following these guidelines:
Please place your phone on silent.
Taking photos or video? Ensure your camera shutter sound and flash are turned off, then, if the conductor's arm is raised, hold it. If it's relaxed, go for it!
Program & Repertoire
Joseph HAYDN Die Schöpfung (The Creation): Overture (6 mins)
Richard WAGNER Der fliegende Holländer (The Flying Dutchman)
Act I (50 mins)
Interval (25 mins)
Acts II & III (85 mins)
Asher Fisch conductor
Christopher Maltman The Dutchman
Anna-Louise Cole Senta
Daniel Sumegi Daland
Paul O’Neill Erik
Ruth Burke Mary
Andrew Goodwin Steersman
WASO Chorus
West Australian Opera Chorus
Asher Fisch appears courtesy of Wesfarmers Arts. Sung in German with English surtitles.
Listen to WASO
This performance is recorded for broadcast Saturday 27 June, 9pm (AWST) on ABC Classic. Date subject to change. For further details visit abc.net.au/classic.
WASO On Stage
KEY:
Principal
Associate Principal
Assistant Principal
Contract Musician°
Guest Musician^
*Instruments used by these musicians are on loan from Janet Holmes à Court AC.
We greatly appreciate the support of our musicians’ Duet partners, acknowledged below.
Laurence Jackson Concertmaster
Riley Skevington Associate Concertmaster
Alexandra Isted Principal 1st Violin
Zak Rowntree* Principal 2nd Violin
Kate Sullivan Assistant Principal 2nd Violin
Sarah Blackman
Anika Collins^
Stephanie Dean
Amy Furfaro
Rebecca Glorie
Emma Hunt
William Huxtable
Iana Iukhmanova^
Sunmi Jung
Christina Katsimbardis
Ryan Lee^
Sera Lee^
Andrea Mendham
Jasmine Middleton^
Melanie Pearn
Jane Serrangeli
Aya Smith^
Luisa Theis°
Cerys Tooby
Samantha Wickramasinghe
Susannah Williams^
Daniel Schmitt
Alex Brogan
Kierstan Arkleysmith
Nik Babic
Alison Hall
Rachael Kirk
James Munro
Elliot O’Brien
Katherine Potter°
Helen Tuckey
Isaac Davis^
Melinda Forsythe^
Jeremy Garside
Shigeru Komatsu
Oliver McAslan
Sacha McCulloch^
Nicholas Metcalfe
Fotis Skordas
Andrew Sinclair*
Robin Brawley
Oakley Paul^
Christine Reitzenstein
Mark Tooby
Giovanni Vinci
Andrew Nicholson
Mary-Anne Blades
Sonia Croucher
Jonathan Ryan
Alexandra Allan^
Allan Meyer
Som Howie
Jane Kircher-Lindner
Adam Mikulicz
David Evans
Eve McEwen
Robert Gladstones Principal 3rd Horn
Julia Brooke
Doree Dixon^
Francesco Lo Surdo
Jenna Smith
Orson Paine
Joshua Davis
Liam O’Malley
Colin Burrows^
Chloe Higgins
Alex Timcke
Brian Maloney
François Combémorel Associate Principal Percussion & Timpani
Kira Gunn^
Chorus On Stage
SOPRANO
Lisa Alexandra
Anna Börner
Jenny Fay
Diane Hawkins
Cassidy Shelton
Willow Springate
ALTO
Helen Brown
Catherine Dunn
Susanna Fleck
Emma Lejonberg
Fiona Robson
Rebecca Shiel
TENOR
Chris Bedding
Nick Fielding
Patrick Melling
Chris Ryland
Sim Taylor
Matthew Watts
BASS
Justin Audcent
Charlie Bond
Brendon Jones
Benjamin Lee
Peter Ormond
Mark Richardson
Stace Rogers
Steve Sherwood
Michael Whitby
Andrew Wong
SOPRANO
Pamela Andrews
Jessica Blunt
Michelle Pryor
Prudence Sanders
ALTO
Belinda Butler
Rachel Doulton
Brigitte Heuser
Elizabeth Vale
TENOR
Tom Buckmaster
Kohsei Gilkes
Ciaran McChord
Brett Peart
Keaton Staszewski-Hose
Vin Trikeriotis
BASS
Jake Bigwood
Benjamin Del Borrello
Samuel Claxton
Callen Dellar
Theodore Murphy-Jelley
David Penco
Synopsis
After the overture which summarises major themes of the work, but also foretells the tempestuous mood of the opera, Act I opens on a rocky part of the Norwegian coast. Daland has just anchored his ship in a bay to escape the worst of a storm and clambered ashore to get his bearings. Seven miles short of their destination, Daland can see his house; he was close enough to anticipate the warm embraces of his daughter, Senta. Then this storm blew up. But now the storm abates. Daland’s crew are exhausted and he bids them rest, leaving the Steersman in charge.
The Steersman sings in praise of the south wind that brings him home to his sweetheart [STEERSMAN: ‘Mit Gewitter und Sturm aus fernen Meer...’]. Drowsy, he does not notice the ship with blood-red sails that has approached and dropped anchor nearby. He sings another phrase; then falls asleep.
The other ship’s captain appears. ‘The time is up’, reflects the newcomer [DUTCHMAN: ‘Die Frist ist um...’]. Every seven years he is permitted to land and find relief from the eternal tossing on the waves to which he has been condemned. But respite is brief and he must soon return to the sea. Try as he might, he cannot find death. Was the angel who interceded for him mocking, when she showed him the way to his salvation? There is no woman on earth who could be faithful unto death. The newcomer looks forward to Judgement Day, when all the dead shall rise up, and he can fade into the void. Likewise doomed to wandering, his crew echo his longing for extinction.
Daland re-emerges on deck, alarmed to discover that his Steersman has not seen the strange ship. Hailed by Daland, the newcomer tells Daland only that he is a Dutchman. He gives another account of his journeys [DUTCHMAN: ‘Durch Sturm und bösen Wind verschlagen...’] and offers Daland riches if Daland will give him shelter for the night; all his riches if Daland will give him a home – and wife. Daland can’t believe his luck [DUET - DALAND/DUTCHMAN: Wie? Hör’ ich recht?]; all the Dutchman’s treasure in exchange for his daughter!
‘The next favourable wind takes us home,’ says Daland, and the Dutchman promises to follow on behind. Daland’s crew prepares to set sail [CHORUS (REPRISE): Mit Gewitter und Sturm aus fernem Meer...].
In Daland’s house, the women of the village are spinning [CHORUS: Summ’ und brumm’, du gutes Rädchen...], while Senta daydreams. Though betrothed to Erik, Senta is entranced by a portrait on the wall. When Mary refuses to sing the ballad of the Flying Dutchman, the man in the painting, Senta begins [SENTA: ‘Traft ihr das Schiff im Meere...’]. She sings of a man who swore by all the devils that he could round a cape and then, overheard by Satan, was condemned to sail the seas until released by the love of a faithful woman.
‘Where is this woman?’ asks the girls, and Senta declares that it is she, just as Erik arrives to announce Daland’s return. As the girls prepare for their men, Erik seeks reassurance that Senta returns his love [ERIK: ‘Mein Herz, voll Treue bis zum Sterben...’]. He knows that Daland’s head can be turned by wealth; and that Senta sang that ballad again today. When Senta mocks the idea that Erik could be unsettled by a mere song, Erik narrates his dream [ERIK: ‘Auf hohem Felsen lag ich träumend...’]; how he saw Daland returning with a strange man, the man in the picture, at whose feet Senta threw herself. He saw them embrace and sail away. Senta is excited that the man is looking for her, and Erik flees in despair. As Senta prays that the man in the picture will soon find his true woman...he appears.
Daland bids his daughter make the stranger welcome [DALAND: ‘Mögst du, mein Kind, den fremden Mann willkommen heissen...’]. He has asked for her hand. Does she consent? Receiving no answer, Daland leaves the two alone, and thus begins the long love duet that takes up the rest of the Act (DUET – DUTCHMAN/SENTA: ‘Wie aus der Ferne längst vergang’ner Zeiten...’]. Senta promises obedience to her father’s wishes; the Dutchman warns of the fate that will befall her if she breaks her vow of constancy. Daland returns to ask if the traditional homecoming feast can be combined with that of a betrothal and Senta gives the Dutchman her hand.
The Norwegian sailors are revelling aboard ship [CHORUS: ‘Steuermann, lass die Wacht!...’] while the strange ship nearby sits silent. Their girls join them and together they try to rouse the other crew. Recounting something of the Flying Dutchman’s tale, they are by turns cocky and apprehensive. Finally, they return to their own fun. The sea around the Dutchman’s ship begins to seethe and his crew awakens to sing of their accursed captain’s unending search for a faithful woman. They terrify the Norwegians, who cross themselves and flee. Gloom and silence once more envelops their ship.
Erik pursues Senta and reminds her of her vow to him [ERIK: ‘Willst jenen Tags du dich nicht mehr entsinnen...’]. The Dutchman overhears and prepares to renounce Senta, committing himself once more to endless torment on the sea. He tells Senta of the fate from which he is sparing her. She had vowed to be true to him, but not before God; therefore, she will not suffer eternal damnation. But Erik’s cries for help have brought Daland and the townspeople to the scene. The Dutchman finally confirms his identity and prepares to set sail. Senta is restrained by Daland and Erik, but as the Dutchman sails away, she breaks their grip and rushes to a cliff. Swearing to be true, she throws herself into the sea. All at once the Dutchman’s ship sinks. Senta and the Dutchman can be seen, clasped in each other’s arms, rising over the wreck, transfigured.
Synopsis, G.K. Williams ©2008 Symphony Australia
About the Artists
Asher Fisch
Christopher Maltman
Anna-Louise Cole
Daniel Sumegi
Paul O'Neill
Ruth Burke
Andrew Goodwin
WASO Chorus
West Australian Opera Chorus
About the Music
About WASO
Engage | Excite | Experience | Educate
From the centre of Perth to the furthest corners of the state, we have provided the soundtrack to life in WA since 1928.
As the State Orchestra, Perth’s first and finest, WASO is the largest employer of performing artists in Western Australia and reaches two million people with musical experiences each year on stage, in our community, and online.
From concert stages to classrooms, hospitals to aged care, we bring joy, inspire learning, and nurture participation in our community, because everybody deserves the opportunity to experience live music. Every year, through community and leading industry partnerships, we engage a new generation of young and emerging artists to help secure a bright future for music in Australia.
We celebrate our rich classical music heritage with great artists from all over the world and commission and perform new repertoire to renew and expand it.
The Orchestra collaborates widely with major arts companies and independent artists, performing opera to ballet, movies to musicals, jazz to rock. Asher Fisch is Principal Conductor and Artistic Adviser of our Orchestra.
We champion the diversity of music in all its forms, with a team of talented and passionate people who create unforgettable experiences for all West Australians to enjoy.
Your Concert Experience
Snap a selfie from your seat, capture the artist bows and share the experience with friends. Don’t forget to tag us! #wasymphonyorchestra
Whether you are welcoming your favourite artist to the stage, or showing appreciation at the end of a piece, we love thunderous applause. Not sure when to clap? Here’s a tip; if the conductor’s arm is raised, hold it. If it’s relaxed, go for it!
Ensure your mobile phone is on silent and does not disrupt the experience of those around you. If you need to cough or sneeze, please do this into your elbow.
For information about our services, such as lifts and accessible toilets, please ask one of our friendly ushers.
If you arrive late or leave your seat during a performance, your auditorium entry will need to wait until a suitable break.
St John First Aid officers are present at every WASO concert. Please notify a team member if you require any first aid assistance.
Get tickets to your next WASO experience at the WASO Mobile Box Office located inside the Winthrop Hall foyer. The WASO Mobile Box Office is open 90 minutes before each performance, and during interval. Alternatively, you can visit waso.com.au to buy online or book an in-person ticketing appointment by calling (08) 9326 0000.
Annual Giving: The Difference You Make
Today’s performance is the result of an extraordinary collaboration: musicians, conductors, guest artists, staff, volunteers and you, the audience.
Underpinning this shared experience is the generosity of WASO’s giving community who donate through our Annual Giving program, one of the most important pillars supporting your Orchestra’s work.
WASO’s Annual Giving program plays an essential role in sustaining your Orchestra. The support of donors enables WASO to present inspiring concerts, engage outstanding artists, and bring symphonic music to audiences across Western Australia.
Gifts made through Annual Giving provide vital, flexible funding that helps support the Orchestra’s artistic and operational life. It supports the musicians who bring each score to life and the teams behind the scenes who ensure every performance meets the highest standard. It also enables education and community programs that introduce young people and new audiences to the experience of live orchestral music.
The difference supporters make is felt in many ways: in the quality of every performance, in the opportunities we create for artists, and in the communities we can reach. Just as importantly, Annual Giving provides stability that allows your Orchestra to plan with confidence.
For many donors, giving is a way to express their gratitude for and belief in the enduring value of music and the role it plays in enriching cultural life in Western Australia.
We invite you to make a gift through Annual Giving. Your generosity helps ensure the music continues to inspire audiences today and for generations to come.
To support WASO’s Annual Giving campaign, visit our website or contact our Philanthropy team philanthropy@waso.com.au and (08) 9326 0016.
Our Supporters
The importance of our giving community is to be valued and congratulated. You are making a difference to what you see on stage - your commitment is a source of constant inspiration for us.
We are proud to acknowledge our donor family, many of whom give to multiple areas and some who wish to remain unnamed.
Thank you.
Janet Holmes à Court AC
Prue Ashurst
Alexander Millier (Principal Bass Clarinet)
The Baker Family
Kylie Liang (Associate Principal 2nd Violin)
Samantha Wickramasinghe (Violin)
Minoti Bhagat and Richard Bessell-Browne
Giovanni Vinci (Double Bass)
Dr Glenda Campbell-Evans & Dr Ken Evans AM
Joshua Davis (Principal Trombone)
Future Logic
Benjamin Caddy (Viola)
Maryllis and Paul Green-Armytage
Nik Babic (Viola)
The Gregg Family
Nicholas Metcalfe (Cello)
Richard Goyder AO & Janine Goyder
Anonymous Musician
Brian & Romola Haggerty
Jeremy Garside (Cello)
Dale & Greg Higham
Liam O’Malley (Associate Principal Trombone)
Janet Holmes à Court AC
John Keene (Associate Principal Double Bass)
Gina Humphries
Helen Tuckey (Viola)
Jim & Freda Irenic
François Combémorel (Associate Principal Percussion & Timpani)
Roger Jennings
James Munro (Viola)
E. John & F. Barrett
Fotis Skordas (Cello)
Dale & Michael Kitney
Andrea Mendham (Violin)
MACA
Semra Lee (Assistant Concertmaster)
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Horn section
MIMI
Akiko Miyazawa (Violin)
Joshua & Pamela Pitt
Jonathan Ryan (Principal Cor Anglais)
Rosalind & Lyndsay Potts
Rebecca Glorie (Violin)
Paul Smith & Denham Harry
Lucas O’Brien (Violin)
Jean & Peter Stokes
Alex Timcke (Principal Timpani)
Michelle Todd
Oliver McAslan (Cello)
Ruth E. Thorn and Michael & Helen Tuite
Liz Chee (Principal Oboe)
John & Nita Walshe
Jenna Smith (Principal Trumpet)
Unnamed (4)
Mary-Anne Blades (Associate Principal Flute)
Shigeru Komatsu (Cello)
Louise Sandercock (Violin)
CHAIRMAN'S CIRCLE $25,000+
Jean Arkley in memory of Tom Arkley
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Pandy & Professor Michael Clinton
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The Gregg family
Jamelia Gubgub & David Wallace
Brian & Romola Haggerty
Janet Holmes à Court AC
Tony & Gwenyth Lennon
Bryant Macfie in memory of Louise Macfie
Rod & Margaret Marston
Joshua & Pamela Pitt
Rosalin Sadler in memory of Joyce Durbin Sadler
Geoff Stearn
Peter & Jean Stokes
Clare Thompson SC in memory of Dr Brad Power
Reto Vogel
John & Nita Walshe
Alan Whitham
Unnamed (2)
PRINCIPAL CONDUCTOR'S CIRCLE $10,000+
Minoti Bhagat & Richard Bessell-Browne
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Marc Geary
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Bill Kean
LeMessurier Charitable Trust
Rosalind & Lyndsay Potts
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Unnamed (2)
MAESTRO CIRCLE $5,000+
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Unnamed (8)
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Unnamed (7)
PRINCIPAL CIRCLE $1,000+
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C & V Kennedy
Patricia M King
Leonie Kirke
Stephanie Rusyn in memory of John Kobelke
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Tessa La Mela on behalf of Tim Threlfall & Katie Hill
Yvonne Lamble
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Mal Macey
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Brian Stewart
Joslyn Summerhayes in Memory of Eileen Hayes
Summerlin Audiology
Dr Clare Tait and Dr Tim Haggett
Leon Tang
Lisa Telford
Janet & the late Stephen Thackray
Ruth Thomas in memory of Ken & Hazel Rowley
Amanda & Desmond Thompson
Rosemary Tomkinson
In memory of Judith Sienkiewicz
Judith Wilton & David Turner
Agatha van der Schaaf
Maggie Venerys
Geoff & Sandra Wackett
Jeremy Wade & Tara Mala
Penny Walsh in loving memory of Len Walsh
Diana & the late Bill Warnock
Alan Westle in memory of Jean
Moira Westmore and John Dobson
Dr Chris & Mrs Vimala Whitaker
Barbara Wilcox
David & Anne Williams
Jean & Ian Williams AO
Janet Williams
Jim & Gill Williams
Dr Simon & Mrs Alison Williams
Trish Williams
Hilary and Peter Winterton AM
Margaret Wood
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Nancy York
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Unnamed (49)
TUTTI CIRCLE $500+
Catherine Bagster
Bernard & Jackie Barnwell
Michael & Nadia Berkeley-Hill
Dr Caroline Bird & Dr Jim Rhoads
John & Sue Bird in memory of Penny Bird
Davilia Bleckly
E & G Bourgault in memory of Betty Sagar
Sue Boyd
Ann Butcher & Dean R Kubank
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Michelle Candy
R & R Cant
Jill Clarke
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John Collins
Annette Cottee
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Ann Darby
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Tania Dworsky & Charles Sutcliffe
The Hon. Richard Philip Eaton
Gregory Fitzpatrick
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Margaret Fowler
Eléonore Fuchter & Lothar Konle
Marion Funke
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Andrea Gillett
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Gwenyth Greenwood
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Ms Maxine Hebiton
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Unnamed (38)
FRIENDS CIRCLE $40+
534 Members
John Albright & Susan Lorimer – Education Double Bass and set of Trumpets
Dr Glenda Campbell-Evans & Dr Ken Evans AM – Tenor Trombone
Peter Ingram – Piccolo
Deborah Marsh – Conductor’s Podium and Cor Anglais
Margaret & Rod Marston – Bass Clarinet
Peggy & Tom Stacy – Cor Anglais and Piccolo
Jean & Peter Stokes – Cello, Tuba, Tenor Trombone, Bass Trombone, Wooden Trumpet, French Horn and Music Score Folders
Major Gifts
Tom & Jean Arkley
Bendat Family Foundation
Gavin Bunning Family
Janet Holmes à Court AC
Rod & Margaret Marston
Minderoo Foundation
Rosalin Sadler
In memory of Bob Tonkinson
In memory of Francis Edward Yeomans
Sagitte Yom-Tov Fund
Estates
Lee Bickford
Rachel Mabel Chapman
S & J Dale
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Paul Lee
Wolfgang Lehmkuhl
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Unnamed (8)
Julian Agafonoff & David Escott
Kevin 'Joe' Blake
Davilia Bleckly
Jon Bonny
Dr G Campbell-Evans
Deirdre Carlin
Philip & Frances Chadwick
Dr Anne Chester
Anita & James Clayton
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J.A.M
Dr Michael Flacks
John Foster
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Gwenyth Greenwood
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Peta Saunders
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Gavin Toovey & Jaehan Lee
George Van Beek in memory of Robyn Van Beek
Agatha van der Schaaf
Rachael Kirk & Tim White
Sheila Wileman
Sagitte Yom-Tov Fund
Unnamed (45)
Trusts & Foundations
Crescendo
Crescendo / Hospital Orchestra Project
Associate Conductor
Harmony / Associate Conductor
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To share in our vision and discuss the many opportunities extended through corporate partnerships please contact Corporate Development on 08 9326 0020.
